Here are some films I have seen recently:
Dec. 6th, 2010 02:18 pmThe Social Network
The main thing I took away from this is that everyone that goes to Harvard is a jerk. Everyone male, at least. The women don't get enough screen time to call it. This actually helps make Zuckerberg a marginally sympathetic character, because he is at least the smartest jerk, and also the most sarcastic. Although I agree in part with Zadie Smith's analysis (which is worth reading, because it's Zadie Smith) that the "impressing girls" part of the character is played up a bit , I think that although Sorkin gives some hints, he thankfully doesn't go to the trouble of spelling out Zuckerberg's motivations. On the other hand, it is also true that you could boil down the motivations of almost everyone depicted here to a massive sense of entitlement.
The Master of The Flying Guillotine (vs The One-armed Boxer)
Is apparently Tarantino's favourite kung-fu flick. It contains a cast of characters that were later ripped off by any number of films and beat-em-up video games (including a stretchy yoga guy!). A tournament quickly introduces them all, and then things get serious (organised fights to the death? pfah! That's hardly serious). The film also wastes little time in establishing that foreigners are evil, a common theme in Hong Kong martial arts cinema of the 70s. The main baddie is Chinese, but his henchmen are Indian, Thai, and of course Japanese (I don't think there was a Japanese good guy in chinese martial arts cinema right up until Jet Li's Fearless in 2006, which had the advantage of the English as the colonial enemy). I would only recommend it if you are really into the genre.
Monsters
Giant monsters + love story + played straight.
I am first of all impressed that this was made for half a million dollars. It did not, in fact, have the obligatory THE REAL MONSTERS ARE US ending, even though it is strongly hinted at. The aliens remain alien, different enough that you never really understand them, or how intelligent they are.
Pontypool
A Zombie outbreak film that is actually clever. Set in a small town radio station, so you hear the world fall apart instead of seeing it. Which is much creepier.
The main thing I took away from this is that everyone that goes to Harvard is a jerk. Everyone male, at least. The women don't get enough screen time to call it. This actually helps make Zuckerberg a marginally sympathetic character, because he is at least the smartest jerk, and also the most sarcastic. Although I agree in part with Zadie Smith's analysis (which is worth reading, because it's Zadie Smith) that the "impressing girls" part of the character is played up a bit , I think that although Sorkin gives some hints, he thankfully doesn't go to the trouble of spelling out Zuckerberg's motivations. On the other hand, it is also true that you could boil down the motivations of almost everyone depicted here to a massive sense of entitlement.
The Master of The Flying Guillotine (vs The One-armed Boxer)
Is apparently Tarantino's favourite kung-fu flick. It contains a cast of characters that were later ripped off by any number of films and beat-em-up video games (including a stretchy yoga guy!). A tournament quickly introduces them all, and then things get serious (organised fights to the death? pfah! That's hardly serious). The film also wastes little time in establishing that foreigners are evil, a common theme in Hong Kong martial arts cinema of the 70s. The main baddie is Chinese, but his henchmen are Indian, Thai, and of course Japanese (I don't think there was a Japanese good guy in chinese martial arts cinema right up until Jet Li's Fearless in 2006, which had the advantage of the English as the colonial enemy). I would only recommend it if you are really into the genre.
Monsters
Giant monsters + love story + played straight.
I am first of all impressed that this was made for half a million dollars. It did not, in fact, have the obligatory THE REAL MONSTERS ARE US ending, even though it is strongly hinted at. The aliens remain alien, different enough that you never really understand them, or how intelligent they are.
Pontypool
A Zombie outbreak film that is actually clever. Set in a small town radio station, so you hear the world fall apart instead of seeing it. Which is much creepier.